Enlarged with AI from a smaller original
Compass and feathers design
Fine line · Mixed · Flash
The drawing shows a compass rose with its N, E and W points labelled, above three feathers hanging from a point below it. The compass is rendered in fine black linework with a detailed star pattern, while the feathers are solid black and white with some blue ribbon or thread wrapped around them. The design is centred on a plain off-white background with no skin or body visible.
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A story inspired by this tattoo · fiction
Nobody aboard the Hesper believed the feathers were mine, and I never told them otherwise. I found the first one in the flour bin on the morning we raised the Azores, a grey-barred tail feather no longer than my thumb, bound at the quill with a twist of blue thread. I kept it in my apron pocket the way other men keep a tooth.
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Cook's work is counting. I counted biscuit, counted the salt pork the bosun swore was short, counted days by how hard the bread had gone. The feathers kept coming, one a week, always in places I had already swept: under the copper lid, tucked in the cutlery drawer, once standing upright in the dough. Each had a fresh ribbon wound round it, and each ribbon was a different blue, from the pale of skimmed milk to the deep of a mackerel's back.
Mr Ferris, the navigator, found me one night with my hands in the sugar, staring at the compass rose I had nailed above the stove so the men could see which way the wind was going. Someone had scratched a small arrow into the brass beneath the north point. "Your bird's been reading the card, cook," he said. "Wants us home." I laughed at him. He didn't laugh back.
We made Falmouth on a Tuesday. That evening I found a last feather laid flat across the flour sack, its ribbon tied in a neat bow, and a scrap of paper pinned beneath it in a hand I did not know. It said only: Keep the north. I have the feathers in a biscuit tin now, and I still set the stove by that brass rose each morning, though the only thing I steer is the stew.
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