Enlarged with AI from a smaller original
Geometric arrow and circle design
Geometric · Black and grey · Flash
A symmetrical black line drawing of an upright arrow running through a set of concentric circles, with triangles on either side and a spiral curling at the lower left. Small diamonds, dots and hanging lines sit along the vertical axis, and the linework is a uniform single weight on a plain white background.
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A story inspired by this tattoo · fiction
Brother Anselm had drawn the same circle nine times before the abbot stopped looking over his shoulder. Ten, if he counted the one he scraped off the vellum at matins, when the candle guttered and the lines swam. Each ring had to be true. The meridian ran from the north wall of the chapter house to the small brass arrow set into the floor, and at noon on Lady Day the sun was to pass through the centre of the wheel and light the spiral at its heart.
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The fen had other ideas. Every winter the dyke beside the infirmary slumped a finger's width towards the river, and every winter the brothers pretended not to notice that the floor leaned. Anselm measured it with a plumb line and a dish of mercury borrowed from the apothecary. The floor dipped to the east by the width of a thumb. The arrow, true when Abbot Wulfric laid it, now pointed at the kitchen hearth.
He did not tell the abbot. Instead he finished the triangles and the hanging dots that marked the hours, and in the margin, where no one would look, he worked out the angle the sun would need. On the feast morning he slipped into the chapter house before prime with a lamp and a bucket of river sand. He packed the low side until the brass arrow sat level with the water in the basin, then marked the new line with a flake of charcoal.
At noon the light came through the gap in the shutter and fell exactly on the spiral, bright as a dropped coin. The abbot knelt in it and wept, thanking God for the old wheel. Anselm stood at the back with sand still under his nails and let the abbot have his miracle.
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