Enlarged with AI from a smaller original
Lavender sprig on a lower leg
Fine line · Calf · Colour · Photo
A single lavender sprig with two flowering spikes rises from a thin green stem and two small leaves. The linework is delicate and the purple flower heads are shaded with soft tonal variation. The design sits off-centre on pale skin, angled upwards from the lower leg towards the knee, with plenty of empty skin around it.
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A story inspired by this tattoo · fiction
Sit nearer the stove, you, because the frost has got into the lane again and the sheep will not come down off the top field until the thaw. Now. Ada Mercer kept the lavender shed at the bottom of Hollin Farm, and every August she cut the spikes before the bees were finished with them, tied them in bunches of nine, and hung them upside down from the beams like bats gone to sleep. Nobody in the valley could say why nine. Her mother did nine, so Ada did nine.
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Her son Tom went for a soldier the year the river flooded, and he wrote only twice. The first letter asked for socks. The second came in a brown envelope with a French stamp and said nothing much, except that the fields down there were purple to the horizon, and that he had pressed a sprig inside the fold. Ada read it standing in the yard with the hens fussing round her boots. She did not cry, not then. She went to the shed and counted the bunches. There were eight.
That night she lit the lantern, took down the old bundle kept back in the corner, the stalks gone grey and brittle, and cut one more sprig. She tied it with red wool, the same red as his scarf. Then she walked it up to the crossroads where the post van turns and fixed it to the signpost, facing east, which is the way a letter would come if it came at all.
Winter passed. The frost gave up its grip. In March a van pulled in, and the driver handed her a parcel with no return address, only her name in careful capitals. Inside was a single dried sprig wrapped in a page torn from a hymn book, and a note in pencil: Nine, Mum. I counted.
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