Enlarged with AI from a smaller original
Rabbit mask stencil design
Blackwork · Black and grey · Flash
The image shows a bold black silhouette of a stylised rabbit mask with two long, swirling horn shapes curling upward and outward. The face is built from heavy solid black areas separated by white negative-space lines around the eyes, nose and open mouth, with small teeth and a row of dots below. It is a flat, high-contrast graphic with no shading or colour, set against a plain white background.
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A story inspired by this tattoo · fiction
The mask hung on a nail above our byre door for thirty years before anyone thought to ask where my grandfather had got it. By then he was dead, and the question came from the vet, who wanted to know whether the black paint would come off on the lambing gloves. Nobody in Caddon Dale had an answer. We knew only that he had walked down from Hallow Gap one March with snow in his beard, two ewes across his shoulders, and the mask strapped to his belt like a lantern.
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I went up after the same ewes the spring I turned nineteen, with the mask in my coat because my mother wanted it back on its nail. The track climbs past the ruined sheepfold and the wind comes off the scree in long grey sheets. At the summit there is a cairn, and on top of the cairn, sitting as neat as a bishop, was a hare with white rims round its eyes. It did not run when I shouted. It only turned its head, slowly, the way a man turns to check a clock.
I found the ewes below the gap, both dead, neither of them marked. Their tracks were not the only ones in the snow. Something had walked beside them, long-footed, going the same way they had gone, and then the prints turned and climbed back towards the cairn. I stood there with the mask in my hands, black and white and no different from the day it was made, and I understood my grandfather had never been carrying a lantern at all.
I hung it back on the nail that night. In the morning it had turned to face the hill.
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