Black and grey realism tattoo of an owl's face with staring eyes across a man's chest, with a moon and trees behind it on the left.

Enlarged with AI from a smaller original

Realistic owl across chest

Realism · Chest · Black and grey · Photo

A large owl face fills the chest, with its wide, dark eyes set centrally and feather detail rendered across the head and wings. The shading moves from deep black to soft grey, with fine stippled texture in the feathers and a pale moon and tree silhouettes on the left side. The composition is centred on the chest and the owl's gaze faces the viewer directly.

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The owl had sat on the gatepost of Skerrow Farm for three nights before Margaret Tulloch admitted to herself that it was waiting for something. It did not hunt. It did not shift when the wind came off the Sound or when the byre lamp guttered. It only turned its head, slowly, and looked at the kitchen window as if it had been asked to keep an account.

Keep reading

Her son Ewan laughed when she told him. He had come over on the Thursday boat with a bag of tinned peaches and a face that had been to Aberdeen and back. "It's a tawny, Mam. They sit where they like." But it was no tawny, and she knew it. Her father had kept a bird book in the drawer under the tea towels, and every page of it was pencilled with the same small, careful hand. The long-eared owl had feathers swept up like a question, and a face so flat and pale it looked lit from behind.

On the fourth night the moon came up over the peat hags, round and low, and the owl lifted without a sound. It flew to the old chapel wall at the end of the field and settled there, facing the sea, and when Margaret followed it with the torch, its eyes caught the light and gave it back twice over. She stood in the wet grass until her slippers soaked through. Then she understood that the bird had never been watching the house. It had been watching the road, and the lights on the ferry, and the one passenger who had not yet come home.

She went back inside and put the kettle on for two cups. She left the back door on the latch and the lamp burning low, and when Ewan's footsteps finally came up the path, she did not ask him where he had been. The owl was back on the gatepost, turning its head towards them both.

More like this

From the plentytattoo archive, uploaded by a user. Is this your work? Ask for credit or removal.