Enlarged with AI from a smaller original
Rose with buds and leaves line drawing
Botanical · Black and grey · Flash
The drawing shows a single open rose at the top, with two closed rosebuds and several serrated leaves along a long, curling stem. The linework is solid black with bold outlines and fine interior detail on the petals and leaf veins. It is rendered in black on white with no shading or colour, and the design is arranged in a tall, asymmetrical composition with tendrils curling at the base.
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A story inspired by this tattoo · fiction
The cutting came aboard at Falmouth wrapped in wet sacking, and by the second week out you have decided it is your responsibility, because nobody else on the Harriet Mae will admit to wanting it. It lives in a dented biscuit tin lined with tarred canvas, lashed to the galley rail above the range, and every morning before the bread goes in you check the two closed buds at its tip the way other men check the glass.
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The cook before you, a Shetlander called Oddny who had no patience for anything that did not eat, left you a ledger and a rule: the rose gets the grey water from the potatoes and nothing else. You keep to it. When the swell rolls the pot toward the stove you hold it steady with your forearm and talk to it in the flat voice you use for the captain, because it seems to listen better than he does.
Somewhere off the Azores the first bud opens, a tight crumpled thing the colour of weak tea, and by the time the galley smells of scorched oats and bilge you have started to count the leaves. Four, then six. The mate sees it once and says nothing, which from him is praise.
When you finally put it ashore in Lisbon, in a clay pot bought from a widow who wanted two shillings for it, the bud has loosened into a cup of petals, and you find you are not sorry the voyage is over. You set it on the windowsill of the rented room and wait for the rest of the buds to turn their faces toward the light.
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