Enlarged with AI from a smaller original
Seahorse tattoo on a wrist
Fine line · Forearm · Black and grey · Photo
A small seahorse outline sits on the wrist, with its snout pointing left and its tail curling down and inwards. The thin black linework is even and sits neatly on the skin, with the fin drawn as a simple open shape. The ink is solid black with no shading, set against a background of grass and pavement.
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A story inspired by this tattoo · fiction
Shift along, the rain's come in under the awning and it'll have your coat if you let it. Aye, that's the fish stall, the one with the blue tarp that sags like a belly. Old Ferris had it before his knees went, and he kept a jar of dried seahorses on the shelf behind the scales, the little curled ones no bigger than a thumbnail, because his wife swore they kept the fog off the harbour.
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Ferris had a girl called Teodora who came in off the boats the winter she was twelve, soaked to the bone, with a rope burn across one palm and nothing else. She swept the slime off the slabs with a yard broom taller than herself. Every morning she laid out the day's catch, and every morning she stopped at the jar and turned one seahorse with her finger, snout towards the left, the way the tide runs past the breakwater.
One wet Thursday a man in a waxed jacket came to the stall asking after a ferryman who'd gone missing in March. Nobody on the quay would say his name. Teodora looked at the man's boots, then at the jar, and told him the only thing she had, which was that the sea keeps what it is given and gives back only what it chooses. The man left without buying anything. Ferris said she had been listening to her own nonsense again.
The next morning the jar stood empty, and the high tide had left a single curled seahorse on the slabs, its tail tucked inwards, as if someone had drawn it there with a steady hand and no thought of leaving. Some say Teodora walked out after the man. I say she simply stopped turning the seahorses, and the sea, being patient, learned to let them go.
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