Enlarged with AI from a smaller original
Snarling wolf bursting through skin on upper arm
Realism · Upper arm · Mixed · Photo
A snarling grey wolf head with bared teeth and orange eyes emerges from a tear in the skin, with red streaks suggesting torn flesh around it. The wolf is shaded in black and grey with fine fur detail, while the red and orange areas add strong colour. The tattoo fills the upper arm and shoulder area, with the wolf's head as the focal point and the torn edges running outward across the skin.
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A story inspired by this tattoo · fiction
The wolf came aboard in a crate of Baltic timber, which is how Captain Ruddock liked his cargo, quiet and paid for. Nobody told the crew what was in the hold until the Thessaly was four days out of Riga and the sound started, a low grinding under the forecastle like someone sawing through the keel from the inside.
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I was the only one who would take the bucket down. Ada, the ship's boy, no more than twelve, had a way of scratching at the grating with a scrap of salt pork, and the grey thing would take it from his fingers without a sound. Its eyes were the colour of a lamp turned low. Ruddock called it a bargain. Mr Pell called it a curse and wouldn't go below the mainmast after dark.
On the ninth night the gale came round to the north-west and the timbers began to talk. We heard the planking crack along the larboard side, a long clean tear like canvas splitting, and then the wolf was standing in the gap with the sea pouring past its ribs and rust-red water weeping from the seams like something opened. It looked at me. It did not look at the sea.
When we limped into the Tyne a fortnight later, the hull had a split down its flank that no shipwright could account for, and the wolf was gone. Ada swore it had gone over the side and swum for the shore. I kept the bucket. Some nights, when the wind sits in the west, I still hear the grinding beneath my bunk, and I still leave a scrap of salt pork on the step, just in case it wants to come back out the way it went in.
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