Three poppies on a stem
Botanical · Colour · Flash
A drawing of three poppies on a thin, sweeping black stem, with the flowers angled at different heights. The petals are built from angular, faceted black linework with hatched shading, and the centres are filled with green. The loose watercolour washes in red, pink and orange sit behind and across the flowers on a plain white background.
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A story inspired by this tattoo · fiction
The poppies came up the same week the last lodger left without paying, which Mother said was the garden making its own arrangements. They ran along the cliff wall behind Brightwell House in a ragged red line, and by June the wind had got into them so that the petals lay across the drying green like spilt wine. I swept them off the step every morning before the first breakfast tray went up.
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Mr Okonedo-Hale, a retired surveyor with a case of drawing pens, took the top room for the summer and spent his afternoons on the bench at the cliff edge. He said the poppies were not grown at all but built, every petal a plane folded at an angle to catch the light. He tried to draw them that way, all hard edges and hatching, while I stood behind him with the tea and pretended not to care what he thought of them.
On the last Saturday in August the sea came over the wall in one long grey heave and took the bench, half the lower garden and a good deal of the washing. He had already packed his case, so the drawing went with him, and the poppies were left as bare stems slapping at the brickwork. I assumed that was the end of it. Then in October a parcel came to the front desk with a postmark from a town I had never heard of. Inside was a sheet of watercolour paper with three poppies folded at impossible angles, washed in red and orange as though the sea had done the painting.
I pinned it above the ledger where I take the bookings. Guests ask about it, and I tell them the sea painted it and that the poppies came back the following year. That part is true, though nobody believes the bit about the wind.
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