Black ink pen sketch of a snarling tiger head in profile with a skull over its face, drawn in cross-hatching with no tattoo styling or body placement shown.

Enlarged with AI from a smaller original

Tiger skull pen sketch

Black and grey · Flash

A pen and ink drawing of a snarling tiger head in profile, with a skull overlaid across its face and jaw. Dense cross-hatching and fine lines build the shading across the fur, the skull and the muscular neck, with dotted stippling on the muzzle. The artwork uses only black ink on white paper, and a pen rests at the upper right of the frame.

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The fiddler Tomas Barrow played the last reel with his back to the door, because his grandmother had told him never to watch the door on a dancing night. The hall at Ashcombe was full of boots on the boards and lamp smoke, and the floor shook so that dust came down off the rafters in gold threads. Nobody saw the tiger come in. They only felt the room go still at its edges, the way a field goes quiet before a hare runs.

Keep reading

It had a skull for a face. Its own great head sat behind the bone like a hood, the ears laid flat, the mouth open on a snarl that showed every tooth it had, and the fur along its neck stood up in dark strokes as fine as rain. It stood by the coat rack and waited. The old women said it had come down from the hills every thin-moon night for a century, asking for one dance and never for a partner. Grandmother's rule was to refuse nothing that wore bone, so Tomas kept playing, and the tiger crossed the floor on its soft feet.

Tomas knew the tune was the trouble. A tiger that danced would dance until morning, and no fiddler's arm could last that long. So he slowed the reel to a crawl, then broke it into short hard stamps of notes, the way a man breaks a rail to close a gap. The skull tilted, listening, and its jaw came a little closed. Round and round it went, slower and slower, until at last it lay down under the stage with its chin on its paws and the bone gleaming like a dropped plate.

At first light the hall was empty. Under the stage there was only a grey cat, thin and old, and beside it the skull, which Tomas took home in his fiddle case and keeps on the windowsill. Some mornings he swears the bone still hums when the wind is in the east.

More like this

From the plentytattoo archive, uploaded by a user. Is this your work? Ask for credit or removal.