Traditional style tattoos on a forearm, including a red rose, a spool of red thread and a bee, with the hand holding a white pot with a succulent against a plain white background.

Traditional rose and thread tattoos on a forearm

Traditional · Forearm · Mixed · Photo

A forearm and hand, held up against a plain white background, carry traditional style tattoos in bold outlines. The main motifs are a red rose with green leaves, a spool of red thread with a needle, a banner scroll, a bee and a few botanical sprigs. The hand grips a white pot holding a spiky succulent, and the mostly neutral composition keeps the focus on the colourful ink.

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A story inspired by this tattoo · fiction

The galley of the Mary Ellen smelled of tar and scorched flour the morning the cutting came aboard in a tin pot. Nobody wanted the thing. The bosun said a succulent was bad luck on a hull, but I had seen one growing in a Lisbon window and wanted something green that needed no rain.

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I kept it wedged by the porthole, where sea spray dried salt on the glass. Each watch I threaded a needle with red cotton and mended the canvas bags the rats had nibbled, working the stitches between peeling potatoes. One June afternoon a bee came in through the hatch and sat on the rim of the pot for a full minute, as if it had paid its fare.

In the Bay of Biscay the pot slid across the table twice in a gale. I lost a spoon and two plates but not the plant. The cook before me, old Haskett, had drawn roses on his forearm in Portsmouth and told me a rose was for the girl you meant to come home to. I said I had no girl. He said a rose was for the one you were still hoping for, which he thought a better answer.

At Bristol I carried the pot down the gangway in both hands, as if it were a hot dish. I left it on the quay wall with a note tucked under the rim: For whoever is next in the galley. Water it on Sundays. We sailed on the evening tide, and I did not look back until the light at Avonmouth was a single yellow point.

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