Black and grey neo-traditional tattoo of a windmill and cottage inside an ornate keyhole frame on the front of a thigh.

Enlarged with AI from a smaller original

Windmill and keyhole on a thigh

Neo-trad · Thigh · Black and grey · Photo

A windmill with a cottage and a small arched doorway sits at the centre of the design, with a circular moon or sun behind the sails. The ornate keyhole-shaped frame below and beside it has scrollwork, a feather-like flourish and a keyhole plate at the base, all rendered in bold outlines with soft grey shading. The piece is entirely in black ink and greys and is photographed straight on, with the legs and part of a hand visible against a dark wall.

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

Maud Verhoeven had hung the iron key above the flour bin the winter the sails stopped turning, and for nine winters nobody in Kessel Fen asked what it opened. The mill went quiet. Each night the moon rose over the still sails like a coin nobody wanted to spend, and the little cottage at the foot of the mill kept its arched window dark.

Keep reading

Then a boy came up the causeway from the ferry, coughing, with a letter from a cousin who had gone south and no money to show for it. He wanted bread on credit. Maud studied him for a long time, then took the key down and laid it on the table between them, still warm from the nail. 'The door is in the cottage,' she said. 'Behind the cupboard where the cat sleeps. You will have to be quieter than the wind to find the keyhole.'

He found the plate at dusk, a small iron scroll set into the plaster like a lock on a dead man's box. The key turned without a sound. Beyond the door a stair climbed through the mill's timber ribs, every step dusted white, and at the top the sails were turning though the air outside was dead still. The moon sat in the open window like a lantern someone had forgotten to take in. Stacked along the landing were sacks of grain, each one tied with a grey feather.

He came down at first light with flour on his sleeves and one feather caught in his collar. Maud did not ask. She took the key, turned it once in the air as if testing its weight, and said the mill had always paid in whatever it was owed. She hung the key back on its nail, and outside the sails began to turn.

More like this

From the plentytattoo archive, uploaded by a user. Is this your work? Ask for credit or removal.