Greyscale graphite drawing of a woman's face merging with a skull, with long hair flowing across the image, shown as a realistic tattoo design sketch.

Enlarged with AI from a smaller original

Woman and skull graphite drawing

Realism · Black and grey · Flash

A pencil drawing shows a woman's face in profile and three-quarter view, with her long hair sweeping across the image in loose, wispy strands. Within the hair, the lower face blends into a skull with visible teeth and jaw, creating a layered, double-exposure effect. The work uses soft graphite shading and fine hatched lines on a pale background, with the strongest contrast around the eyes and teeth.

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The wind off the salt marsh had been blowing for three days when Mabb Orrin came up the causeway with a basket of unspun fleece on her hip and a skull wrapped in linen under her arm. Nobody in Haddon Fen asked what was in the linen. They asked instead why the thread she spun had gone grey as ash, and why the bees would not settle on the hives she tended.

Keep reading

Her grandmother had taught her the old rule: a spinner who lets her work be carried off by wind must give the wind its due. So each dusk Mabb unwound a hank of her own pale hair, the cut ends smelling of smoke and tallow, and fed it to the wheel alongside the fleece. The strands ran thin and silver, and the loose ends lifted from the bobbin and streamed out over the reeds towards the bones at her feet, as if the thread wanted to finish what it had started.

The turn came in the spring, when a stranger in a grey cloak asked to buy a length of it. He was the wind's clerk, or so Mabb decided later, because he counted the skeins without touching them and said the price was a name. She gave him the name she had been given at the font and nothing more. He walked off into the fen laughing at how little it weighed, and the skull on her windowsill seemed to turn, just slightly, to watch him go.

By midsummer the marsh had gone still. Mabb sat at the wheel with the linen unwrapped, the teeth clean in the lamplight, and spun until her hair was short and the thread ran true. The village said she had paid the wind in full. She said nothing, and kept the last bobbin for whoever came up the causeway next.

More like this

From the plentytattoo archive, uploaded by a user. Is this your work? Ask for credit or removal.