Realistic black and grey rose tattoo on a person's thigh, with ripped light blue jeans around the leg.

Black and grey roses on a thigh

Realism · Thigh · Black and grey · Photo

Two large roses with shaded petals and dark leaves cover the outer thigh, with a fainter line-work design continuing lower down the leg. The shading moves from soft greys to deep blacks, giving the roses depth and volume. The person is seated with their legs stretched out over grey paving, and the ripped pale denim frames the tattoo.

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A story inspired by this tattoo · fiction

The last of the old bush roses went out to the skip on Tuesday, every one of them bent at the neck from the frost. Dad would have kept them. I kept the cuttings instead, six stems of the dark crimson in a jar of rainwater on the kitchen windowsill, because nobody in Spalding wants a rose that opens the colour of a bruise.

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Friday a man came in off the Boston road asking for roses that would look right in grey. He didn't want red. He had a photograph on his phone of two blooms drawn in soft pencil tones, petals lifting open from the middle, every edge gone dark where the light gave up. I told him a rose is only grey in the shade. He said that was exactly what he wanted.

I took him out to the back bench anyway and cut him three of the deepest blooms, the ones that look black by evening. He didn't pay for them. He asked me to walk the outside of the glass with him so he could see how the shadows fell across the petals, and we stood there with sleet coming in sideways until he said the outer petals were right, the way they curled back and the top ones caught the light while the lower ones were left to the dark.

When he'd gone I found one stem on the wet concrete where he'd dropped it, the paper price cone still tied round the stalk. I put it in the jar with the cuttings. By morning the petal edges had gone the colour of ash, and I thought of Dad, who always said you can't keep a flower, only the shape it left behind.

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