Enlarged with AI from a smaller original
Black and grey roses on a thigh
Traditional · Thigh · Black and grey · Photo
A cluster of three open roses with thorned stems and dark leaves fills the side of the upper thigh. The roses are outlined in bold black lines, with soft grey shading on the petals and heavier black shadowing among the leaves. The tattoo sits centrally in the frame, with a white waistband crossing the top of the design and a grey top at the upper edge of the photo.
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A story inspired by this tattoo · fiction
The sack came off the lorry at twenty to six, dripping onto the wet concrete of the freight shed at Tollgate, and the woman carrying it would not let go of the drawstring. Inside were bare canes wrapped in damp newspaper, thorns standing out like the teeth of a comb. Plant health rules are plain, and I was reaching for the form when she tipped the bundle onto my desk and the newspaper slid back. The cut ends were tied with green thread, and each one carried a paper label in pencil.
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The labels had names. Okafor's Ruby, Dunmore Pink, Ellen 1961. Only one had no name, just three small circles drawn open and overlapping, shaded at the edges the way a child shades a bloom with the side of a lead. I asked whose hand that was. She said her grandmother's, who had drawn every bush she lost at a border, because a drawing could not be confiscated and a memory could not be burned in the yard.
I knew the regulation. Anything with soil, anything living, goes to the incinerator behind the shed. I looked at those three pencil circles for a long time while the lorry idled outside. Then I wrote on the form, two dozen cuttings, dormant, and signed it.
I did not stamp the canes. I stamped the back of the drawing, tied the label on again with my own green thread, and she walked out into the rain holding the thorns away from her coat. By May, she wrote to say three roses had come up against the garden wall, pale in the middle and dark at the edges, just as her grandmother had drawn them.
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