Blue and silver triquetra trinity knot with three spiral ends on a plain white background, shown as a design drawing with no body placement.

Enlarged with AI from a smaller original

Blue triquetra with spiral ends design

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A stylised triquetra, a Celtic trinity knot, made of three interlocking loops with a bright blue fill and a silver outline. Three open spirals sit at the top left, top right and bottom of the knot. The rendering is smooth and glossy with bevelled edges, centred on a plain white background.

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A story inspired by this tattoo · fiction

The lift in Carrow House had been dead since Tuesday, so when Mrs Okafor's boiler gave up on the fourteenth floor, the job came to me. Nineteen flights with a toolbag and a head torch, counting the landings aloud because the numbers stencilled beside each door had worn to ghosts. Somebody had drawn a spiral in chalk on the wall at every turn, round and round like a snail's shell, and by the eleventh floor I had stopped wondering who did it and started following them.

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Flat 14C had a door plate nobody else on the block had bothered with. Tin, cut by hand, a three-looped knot painted a bright enamel blue and edged in silver, with three little curls at its corners like something a child would doodle in the margin of a rent book. Walter Bright had put it up in 1986, Mrs Okafor told me, the year he and his brother and sister had all been given keys to the same flat so none of them would ever be locked out. The brother was dead now. The sister had moved to Margate. Walter had kept the knot on the door regardless.

When the boiler was running, I sat on her step while she made tea and looked at the plate properly. Behind the hinge, where the paint was thinnest, a small brass key hung on a loop of blue wool, with a pencilled label reading "for whoever's next". She pressed it into my palm as if I were a fare owed change. I carried it down nineteen flights and pinned it to the notice board by the bins, where the next engineer would find it before they climbed.

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