Enlarged with AI from a smaller original
Clock, statue and red rose sleeve
Realism · Upper arm · Mixed · Photo
The sleeve combines a clock face with Roman numerals at the top, a classical statue of a draped figure, a large red rose on the lower arm and a shield bearing a red cross with a skull beneath it. The statue and clock are shaded in black and grey with soft gradients, while the rose and cross carry the red colour. The design fills the full arm, with the imagery stacked from the upper arm down to the forearm and shown across three angled panels.
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A story inspired by this tattoo · fiction
The clock on the Institute had said ten to four since the Thursday the cage jammed at Hollin Pit, and my father still looked up at it every morning on his way to the bus, as if it might have got a fresh idea overnight. Nobody had the key. The man who wound it had been on the day shift that Thursday, and his key went down the shaft in his waistcoat pocket.
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I took roses up to the square every Sunday, the red ones from Mrs Hollis's bank, wired to thin sticks so they would stand. The statue was a woman in a heavy robe, one hand pressed to her mouth and the other holding a wreath the rain had worn smooth as soap. Her face turned towards the Institute, and so, I suppose, towards the clock. Beside her the lodge had nailed up a painted shield, a red cross on white, from the days when the old lodge men fancied themselves crusaders. Dad said a cross and a skull had no business over a pit, but the carpenter had liked the skull and nobody had argued with a carpenter.
On the Sunday before the inquest I found a brass key on the step beneath the statue, warm from the sun. I let myself into the Institute with my heart going like a stamping press and wound the clock until the spring grumbled. When the hands finally jumped forward, I stood in the empty hall and waited for something to happen. Outside, the statue's shadow slid across the rose I had left at her feet, and for once the petals stayed on.
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