Enlarged with AI from a smaller original
Matching compass roses on two upper backs
Back · Black and grey · Photo
Two people stand side by side, photographed from behind, with a small compass rose tattoo on each upper back near the shoulder blade. The left tattoo has bold black outlines and a solid shaded centre, while the right one has finer, more open linework with pointed cardinal arms. The image is entirely greyscale, with a plain pale wall and a mirror reflection in the background.
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A story inspired by this tattoo · fiction
The chart table in the back room of the Skerry post office smelled of damp paper and paraffin, and I had pinned the old Admiralty sheet flat with four tins of bramble jam. My sister Ilse leaned over it with a pencil behind one ear, tracing the compass rose printed in the lower corner. 'Eight points,' she said. 'Four proper, four half. Which do we want?'
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We had settled on the rose weeks before, the week the last cargo boat told us it would not come back before winter. Ilse wanted the bold one, the kind a fisherman paints on a wheelhouse, heavy black and shaded through the middle so it looked carved. I wanted the finer version, open and unfinished, with arms that stopped short as if the sea might still add to them. We argued until the kettle boiled dry and Mrs Gunn knocked to ask whether we were selling stamps or fighting.
In the end we split the difference the only way sisters can. Ilse took the bold rose and I took the fine one, and we drove over the causeway at dawn to a studio in Stornoway where a quiet artist with steady hands inked them side by side, one from each of our stencils. She told us matching is harder than people think, because the lines have to agree even when the two people don't.
Ilse took the mail boat the next morning, and I kept the pencil. Now when the post van rounds the bay I hold the old chart against the window and check which way is north. It is always the bold arm I find first, pointing at the harbour where she said she would come home, and then I follow the fine arm out to where the paper runs off the edge.
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