Two black script tattoos side by side, one reading til my last day on a forearm and one reading til my last breath on a second limb.

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Lettering · Forearm · Black and grey · Photo

Two script lettering tattoos sit side by side on skin. The upper one reads til my last day on a forearm with a flourished capital T and a looped, joined stroke, while the lower one reads til my last breath on a different limb. Both are in black ink with smooth, even linework, and the close framing keeps the words as the main focus.

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A story inspired by this tattoo · fiction

The cook on the Mary Ellen Trask had one rule for the boys who came aboard with their names still soft in their mouths: say what you mean in the galley, because the sea would hear it anyway. So when young Tobias Quill came down the ladder with his sleeve rolled up and asked for a pen, old Hannah Brisk gave him a stub of charcoal instead and told him to keep his arm still.

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He wanted the words put across his wrist: til my last day. Hannah pressed the charcoal down in slow loops, the way her mother had taught her to write recipes on the back of ledger paper, and she left the T with a flourish like a gull lifting off a rail. Tobias bit his lip and did not complain. When it was done he held his arm up to the lantern and grinned at it as if he had made the words himself.

His brother Samuel signed on at Gravesend the next spring, and Tobias asked Hannah to do the same for him on the other side, low on the thigh where the sailcloth would hide it. She laughed and asked what the second line should say. Tobias thought about the storm off the Horn, the ship groaning and the men praying in a row. Til my last breath, he said. Hannah shook her head and said the sea did not care for such promises, but she inked them anyway, neat as lettering on a tin of biscuits.

The Mary Ellen Trask came home without Samuel. Tobias kept his sleeve down in church and his trousers up in the galley, and when anyone asked, he said only that the words were his and the sea had been given fair warning.

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