Black and grey fine line phoenix tattoo with spread wings and long trailing tail across a person's upper back, photographed from behind.

Phoenix on upper back

Fine line · Back · Black and grey · Photo

A phoenix with wings spread wide and a long, sweeping tail fills the upper back, with its head turned to the left and a crest of feather-like plumes. The linework is fine and even, with the wing feathers softened by grey shading toward the edges. The tattoo is in black and grey only, set against bare skin in a plain, evenly lit photograph.

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A story inspired by this tattoo · fiction

Ada was sent into the beech wood before dawn with a tin pail, because the bakehouse fire had gone out three mornings running and Mother Hesketh swore the coals had been stolen by something with feathers. The village stopped at the last stile. Past it, the trees leaned in close and their bark was grey as ash.

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She found the bird in a clearing where the frost had not settled. It lay on its side, one wing spread wide across the bracken like a fan somebody had dropped, and its long tail trailed behind it into the leaf litter in loops. Its crest of plumes was bent but not broken. When she knelt, its head turned towards her, slow as a door on old hinges, and the eye was bright as a struck flint.

"You're cold," she said, which was foolish, because it was the bird that was cold and she was the one shivering. It did not argue. She carried it home inside her shawl, and the tail brushed her ankles all the way down the lane, feathers snagging on the hedge. At the bakehouse she laid it on the hearth stones, and the brick oven began to glow from the inside.

Mother Hesketh said nothing for a long time. Then she handed Ada the bread peel. "Feed it," she said, "and it will feed us back." By spring the ovens were never cold again, and above the door hung a single grey feather, its edges softened as if it had been smoked. Ada never went back up the lane to check. She had seen what the wood kept, and it was not hers to fetch twice.

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