Enlarged with AI from a smaller original
Realistic eye and skulls across back and shoulder
Realism · Back · Black and grey · Photo
A large realistic eye with a dripping tear and a few blood-like red streaks sits at the centre of a dark, detailed design. Skulls and a partly visible human face are shaded in soft greys and deep blacks around the eye, with a torn-skin effect along the upper edge. Smooth gradients and high contrast dominate the composition, which fills the frame across the shoulder and upper back.
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A story inspired by this tattoo · fiction
Dear Marta, the lorry from Vilnius came through at ten past three, and the driver had no papers for the crate, only a brass key and a note saying the eye was not to be opened until it had stopped weeping. I have kept it in the back office under a tarpaulin for four nights now. The damp on the wall above it has shaped itself into a skull, and every morning the stain is a little larger.
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Yesterday Inspector Halvorsen wanted it burned. He pulled back the tarpaulin and the eye looked straight at him, grey as a winter pond, and a bead of water ran down the lid and dropped onto the desk. Where it struck the wood, a small red mark bloomed like a thumbprint in wine. Halvorsen laughed, then stopped laughing, then went out to the car park and sat in his vehicle with the engine off until dusk.
I have started to count the tears. Eleven so far. Each one lands on a different surface, and each surface, I swear, grows the same bone-pale lichen the crate was lined with. The driver has not come back for it. The manifest says the consignee is a widow in Kraków who died in 1962, and the seal on the crate is older than the checkpoint itself.
I am writing this so that someone knows where it came from if I am found in the morning with my cheek against the glass. Tonight I will leave the lamp on. It seems to like the light.
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