Three metallic silver sacred geometry designs, overlapping circles, a flower of life and Metatron's cube, in fine line on a forearm.

Enlarged with AI from a smaller original

Silver sacred geometry on a forearm

Geometric · Forearm · Black and grey · Photo

A forearm carries three metallic silver geometric designs stacked from elbow to wrist: overlapping circles enclosing a vesica piscis, a flower of life pattern, and Metatron's cube. The fine, even linework is unshaded and reads as a temporary metallic design rather than inked skin. The pale silver stands out against the skin and a soft cream fabric in the background.

Geometric Fine line Forearm Sacred geometry Overlapping circles Flower of life Circle

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

Sit down, sit down, the lot of you, and mind the cold tea. You want the story of the Plaza floor, and you'll have it straight, because my mother danced on it the night it was drawn. Nineteen fifty-one, the town hall had hired a ballroom with a sprung maple floor, and the manager wanted something to make the couples feel they were moving through a pattern nobody had planned. He sent for Ada Thorne, who ground lenses for the optician on Mill Street and could draw a true circle with nothing but a length of string and a stub of silver paint.

Keep reading

She worked through the afternoon before the dance, out on her knees with a pair of brass compasses her father had carried from Leeds. First the two rings that touch, then the almond shape where they overlap, then the great ring of petals, each one a circle drawn from the last. Men kept stopping at the door to ask what the marks were for. She told them nothing. She said a thing like that has to be walked on before it can be understood.

That night the band played the old Strauss and the floor began to hum under the boots, and the silver lines took the lamplight so that the whole room seemed to be standing on a lake. My mother said that when the couples turned, the petals opened and closed beneath them like a hand unfolding. Nobody was ever lost on that floor.

They sanded the boards the spring the hall was sold. The silver is gone from the top, but if you lie flat on the maple by the stage at noon, you can still find the first circle, faint as a breath on glass, waiting for someone to step inside it.