Two black sugar skull tattoos with floral ornaments, one on each thigh, shown in black ink on skin.

Sugar skull tattoos on both thighs

Blackwork · Thigh · Black and grey · Photo

The photo shows a pair of sugar skull designs, one on each upper thigh, with the wearer's underwear visible at the left edge. The upper skull has a flower-filled outline with scrolling foliage, while the lower skull has a more detailed face with dotted and floral filigree inside. Both are rendered in solid black ink with fine outlines and no colour, set against a light bed sheet.

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A story inspired by this tattoo · fiction

Marta had pressed sugar skulls every October since she was nine, and by the week of the dead her hands knew the moulds better than her own name. This year the orders came late, from the far side of the valley, so she worked by one lamp while the bread proved in the cold back room.

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The first was for old Teodoro, who had bought a loaf from her every morning for forty years and never once said good day. His daughter wanted his skull with a flower in each cheek and a border of leaves curling round the jaw like the vines on his fence. Marta piped the scrolls freehand, the royal icing setting white as frost, and when she slid the tray onto the shelf the hill outside had gone the colour of ash.

The second order came with no name. It was a cloth bundle left on her step, and inside was a paper with a face drawn on it and a line in pencil: make it look as if it is listening. She made the lower skull with the fullest filigree she knew, dots thick as seed, and cut two round eyes that she left hollow. Held up to the window, it seemed to tilt its head.

At first light she carried both skulls up the lane. Teodoro's daughter was already at the gate, and the other door stood open with nobody behind it, only a bowl of water and a candle burnt low. Marta set the listening face on the sill and went home to knead the morning's bread, and the sugar she had not meant to make so fine caught the sun and held it.

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