A hand with long nude nails and turquoise rings shows a metallic gold and turquoise geometric diamond design on the back of the hand, in a geometric style.

Enlarged with AI from a smaller original

Turquoise and gold geometric design on a hand

Geometric · Hand · Colour · Photo

A hand with long, pale nude nails rests against a textured stone surface, wearing several rings including a large turquoise stone ring. A metallic gold and turquoise geometric design with a diamond and triangle pattern sits on the back of the hand and wrist, and it appears to be a temporary design rather than a permanent tattoo. A turquoise bead bracelet and further triangle motifs on the wrist complete the composition, with the colour concentrated in turquoise and gold.

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A story inspired by this tattoo · fiction

Sit closer, the gull is only pretending to be asleep. Your great-grandmother's mother sold tin lanterns on this quay, and every spring the tinsmith's daughter came down from the hill with a tray of gold leaf she had beaten thin as a cabbage leaf. Nobody in Porthcadan had seen gold that would stay put on skin, so she pressed it onto the backs of the fishwives' hands for a penny a diamond, and the women went to the Sunday market flashing like the mackerel in the net.

Keep reading

The tinsmith's daughter, Morwenna Teague, cut her stencils from an old biscuit tin. Each one was a diamond with triangles stepping inward like the teeth of a saw, and she filled the points with turquoise she ground from the potter's glaze at Lanhale. The designs lasted a week, then the sea water had them. Morwenna did not mind. She said a thing made to be washed off was honest about it.

Then a man off the mail boat asked her for a design that would last a year. She told him no. He offered a silver florin, then a second, and when she still refused he left a turquoise ring on the windowsill and walked back down to the boat. She kept the ring, and that spring she chalked the diamond on her own doorstep instead of pressing it into anyone's hand. By May every doorstep from the slipway to the chapel had the same pattern, and the fishwives had stopped asking who had started it.

The tin stencil still hangs on a nail above the lantern shop. The gold has gone green at the edges, like a coin left too long in a pocket, but the stepping triangles are sharp, and at low tide, if you stand in the right place, you can see the chalk diamonds coming up through the wet stone.

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