Small black yin yang symbol inside a sun with rays, tattooed on the inner forearm near the wrist.

Enlarged with AI from a smaller original

Yin yang sun on the inner wrist

Geometric · Forearm · Black and grey · Photo

A small tattoo of a yin yang symbol enclosed in a circle of short pointed rays, shown on the inner wrist and forearm. The linework is solid black with some fill in the dark half of the symbol, and the design is centred on the skin. The background includes a blue sleeve and a black bag, and the ink is the only colour in the composition.

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A story inspired by this tattoo · fiction

The lamp room at Cwm Dulas smells of paraffin and wet wool, and you are standing on the bench to reach the wall when Nest comes in with the chalk. Sixteen days the pit has been shut. Sixteen small suns you have scratched beside the door, each with its rays cut short so the men can count the strike from the threshold without anyone having to say the number aloud.

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She stops with the chalk in her fist and looks at the new one. You have split it down the middle with a curving line like a river bend, and in each half you have set a seed of dark. She asks what it is meant to be. You tell her it is the two shifts, the ones who go down in the cage and the ones who wait at the top with the kettle on. Neither is worth much without the other, you say. She says that sounds like something the chapel would preach, and you say the chapel has been right about less than the coal has.

Outside, the wheel above the shaft stands still for the first morning in a decade that nobody is paid to turn. Men are gathering at the gate with their caps in their hands, and the manager's motor has come up the valley road with its lamps unlit. You pick up the black tin. The paint is thick and smells of tar. You dip the brush and go over the dark seed on the right-hand side once more, slowly, until it is the blackest thing on the wall, and then you climb down and open the door wide so the light can reach it.

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