Enlarged with AI from a smaller original
Fine line poppy on an ankle
Fine line · Ankle · Black and grey · Photo
A single poppy flower drawn in delicate black linework, with its head tilted to one side and a thin curving stem running down towards the foot. The lines are fine and even with no shading, and the open petals are shown with minimal detail. The tattoo sits on pale skin against a dark grey background, with the composition centred on the ankle.
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A story inspired by this tattoo · fiction
The last up train was running late again, so Maud Pryce stood on the down platform with a jam jar in one hand and a pair of secateurs in the other, watching the signal arm as if it might change its mind out of pity. Behind the waiting room the cinders sloped up to the fence, and every June the poppies came through them without anyone having sown a seed. Walter had called them weeds for thirty-one years. He had still come out with a rake each autumn to clear the bank, and each spring they came back anyway.
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They all leaned the same way, heads bent towards the sidings as though they were listening for something coming in from the north. All except one at the far end, near the fence post, which had tipped its head towards the platform instead. Maud had noticed it the week Walter died and had not liked how much it looked like him, leaning on the rail with his cap pushed back, waiting for her to finish a sentence.
The signal dropped with a clank. She went down the slope in her good shoes, snipped the stem low, and held the flower up to the light. Its petals were thin as tissue and the stem was almost too fine to see against the grey. When the train pulled in a boy in a school jumper pressed his face to the window and grinned at her, and she found herself smiling back. She filled the jar from the tap in the porters' room, set the poppy in the water, and carried it up to the signal box, where Walter's photograph still sat on the sill. The stem went down into the glass like a line that had finally been laid straight.
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