Black and grey mandala flower tattoo with dotwork shading across the back of a hand.

Enlarged with AI from a smaller original

Mandala flower on the back of a hand

Dotwork · Hand · Black and grey · Photo

A large mandala-style flower fills the back of a hand, with a central eight-petal bloom surrounded by layered outer petals and leaves. Bold black outlines define the shapes, while stippled dots and solid black fills create the shading within the petals. The design is in greyscale and covers most of the visible skin, centred on the knuckles and tapering towards the wrist and fingers.

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A story inspired by this tattoo · fiction

Sit yourself down by the stove and mind the bucket, for Mrs Pellow never let a soul into her kitchen without a cup in their hand. You want to know about the bloom painted on the net loft wall? I'll tell you, though it isn't the tale your grandfather told. He had a lighthouse keeper falling in love with a fishwife. Rubbish. It was Nessa Trewin and her needle.

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Nessa mended nets for the pilchard fleet from the year the sea wall went up. Her hands were never still, and in the evenings she sketched on the back of old tide tables, but the pencil kept snapping, so she pricked her lines in with a darning pin instead, dot by dot, because a dotted line holds its shape longer than a drawn one. Eight petals, she said, for the eight winds that bring the boats home. Her mother called it a flower. The men called it a compass rose and wouldn't sit near it.

One February the Mary Jane went out in a squall and didn't come back by dark. Nessa sat in the loft with a lamp and a single torn net, mending the same square for six hours, following the star she'd pricked into her memory. When the lamp guttered she worked by the feel of the knots alone. At first light the boat came round the point, low in the water, and the sea had shredded every net aboard except the one she'd mended, which held whole.

The outer petals, they say, are the stitches she laid after, leaves spilling out where the frayed threads ran. I never saw that sea. But I know the knot she tied at the wrist of that net, and the men who came to Nessa's door afterwards all wanted it drawn in the same dark dots, so they'd have a bloom to look at when the water got up.

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