Enlarged with AI from a smaller original
Sleeping dog and mountain landscape
Dotwork · Calf · Black and grey · Photo
A large sleeping dog's head, with its muzzle resting low and its eyes closed, forms the main shape of the design. Its body curls around a landscape of peaked mountains, pine trees, a small cabin with a smoking chimney, a crescent moon and scattered stars. The work is built from fine outline and stippled shading in black ink and grey tones, with no colour.
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A story inspired by this tattoo · fiction
By the twentieth day out of Valparaíso the hound had stopped looking at the sea. Moss, a brindle lurcher the cook had won off a Cardiff dock lad at cards, lay across the foot of the companionway with his nose on his paws, and when the bell went he did not lift his head. I stepped over him for the morning watch and counted the stars on the way up, the way Father used to count ewes through the gate.
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Father's farm sat under the Brecon peaks, a slate roof with a chimney that smoked from the first frost until April. I had not seen it in four years. The mate said a dog dreams of what it has lost, and I told him that was rubbish, but that night I lay awake listening to Moss breathe and wondering what he saw behind his eyelids. Peaks, most likely. Dogs do not know what a mountain is, but they know the smell of a hearth.
Off the Falklands the glass dropped and the wind came round hard from the west. We reefed the topsails three times in a single watch. Through it all Moss stayed put on the companionway, and when the cook finally went below he was still there, ears twitching at nothing. I knelt beside him in the lamplight and he thumped his tail once against the boards, slow, the way a dog does when he is nearly home.
We raised the Lizard on the ninety-first day. I went below for my sea bag, and when I came back up Moss was already on the quay at Falmouth, sniffing the bollards. The dock-hand said he had never seen a dog so eager to get off a boat. I did not tell him the dog had been home for weeks. I only clipped on the lead and let him take me the long way, past the chandlers, up towards the moor road where the cottages were.
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