Close-up of a woman's forearms and hand with gold and silver metallic geometric temporary tattoos, including scales, chevrons, braids and pineapples.

Metallic geometric temporary tattoos on wrists

Geometric · Forearm · Colour · Photo

A woman wearing a grey top and bleached denim shorts has metallic gold, silver and black temporary tattoos on her forearm, wrist and hand. The designs include a scale pattern, a braided band, diamond and chevron bands, and small pineapple motifs, all drawn with solid metallic fills and dotted edges. The image is a warm, sunlit close crop with the face out of frame and a plain background of sand and sea.

Geometric Forearm Hand Scale Braid Chevron Diamond Pineapple Dot Stripe Metallic

Find an artist for this

Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

The tide had taken the second boat before the bell rang, so Ines Caddow carried her grandmother's brass stamps down to the shingle in a flour sack and laid them out on a plank of driftwood. Skerrin had no bank and no mint, only the sea and the women who knew how to press a pattern into skin with whatever the water gave back.

Keep reading

The scale stamp was for the fishers, who came home with their shoulders salt-burned and wanted something that looked like the backs of the fish they caught. Braid was for husbands going to sea and diamonds for the net-menders. The chevron was for the tide, because it went in and out. The little pineapples had come ashore in a crate from a Lisbon ship in the year of the great storm. Nobody on Skerrin could grow such a fruit, so the children thought it was a kind of lantern, and the women stamped it small and gold on the backs of hands for luck. The gold leaf had come off the fittings of a wrecked schooner. The silver was beaten from old spoons. The dots were punched with a nail through a pierced stone.

A woman from the mainland boat asked for a band to take off the island with her, and Ines refused to give her gold. Gold, she said, stays too long, and a person who leaves should not be held. She stamped silver instead, which would be gone within a month, and the woman laughed and paid in coins that were no use here.

In the spring the sea took the last of the gold off the fishers' wrists, and the silver went with it. Ines walked the tide line at dawn and found the scale pattern pressed into the wet sand, row on row, where the water had lifted it and set it down again.