Enlarged with AI from a smaller original
Pine branch across the upper chest
Botanical · Chest · Black and grey · Photo
A pine branch with long, sharp needles runs diagonally across the upper chest, with a small bud or cone-like shape near its centre. The linework is bold and dark, with the needles shaded in solid black strokes against the pale skin. A silver anchor pendant on a chain and a black lace strap sit beside the tattoo, and the image is shot close and slightly angled.
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A story inspired by this tattoo · fiction
Brother Tobias had been told the pine would not survive the moving, and he said so to Prior Ludo at the foot of the stairs, the branch laid across his forearms like a sleeping dog. The storm had brought it down from the old Scots pine above the cistern, a limb as long as a man, its needles stiff with sleet and sharp enough to score the back of his hand.
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The prior did not argue. He asked only where the bud had come from, and Tobias showed him the small green knot near the middle of the limb, sealed tight as a wax-stoppered jar. They agreed that a branch which had lost its root could still keep one thing alive if it was given water and dark and left alone. So Tobias wrapped the cut end in wet linen and carried it into the cold library, where the lamps were kept low so that no brother would read the weather in the ink.
All through the winter he checked it after Compline, turning the linen, counting the needles that dried and dropped onto the flagstones like spilt pins. He swept them up each morning and did not tell the novices what he was waiting for. By Lady Day the bud had split. It had not become leaves but a pale cone no bigger than a thumbnail, weeping resin into the cloth.
He carried the cutting out to the cloister garden in the grey thaw and dug a hole beside the well, between the rosemary the novices had planted for the infirmary. The ground was still hard and he had to kneel to break it. The rule said nothing about planting what a storm had given back, and he had decided long ago that silence was a kind of permission. He pressed the cone down into the dark earth, and when he stood the wind came over the wall and lifted the needles, catching the first thin light off the snow on the ridge.
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