Colour realism tattoo on a thigh of a red-haired child with green eyes and an open-mouthed shout, wearing a floral shirt and plaid shorts against a blue background.

Realistic child portrait on a thigh

Realism · Thigh · Colour · Photo

A realistic portrait of a red-haired young child with green eyes, mouth open in a shout, one fist raised, and a floral short-sleeved shirt worn open over a bare belly. The child wears blue and brown plaid shorts, and the figure is set against a soft blue oval backdrop. Shading is smooth and layered, with fine detail in the hair, skin and shirt pattern, and the composition fills the outer thigh.

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A story inspired by this tattoo · fiction

Nobody in Thornbeck would sit beside the Pennick boy at a wedding, and Mags Orrell said so loudly enough that he heard her from the back pew. Tobias Pennick was seven, had hair the colour of a fox in October, and owned one shirt his mother had bought from a market stall in Penzance, covered in hibiscus and parrots that no bird on the moor had ever seen.

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The wedding was Ada Fenwick's, and Ada had asked for quiet. The vicar had asked for quiet too. Old Sarah Penhallow had told the story at every christening for fifty years: the marsh under Thornbeck once held a hob who envied wedding songs, and he stole the voices of every couple's guests, so that vows were said in small voices and regretted in silence. Only a child who shouted with his whole chest could call the voices home. Nobody had believed her, least of all the vicar.

When the bride reached the middle of the aisle, Tobias climbed onto the pew, lifted one fist as though calling cows in from the top field, and bellowed that the bridegroom had eaten the last of the ham. Every head turned. Hal Dunning went the colour of pastry and swore he had not. Then the whole church began to shout at once, the hymn book fell open, the hob's silence cracked like ice on a puddle, and Ada laughed so hard she had to hold her veil.

Afterwards Ada gave the boy the top tier of the cake, and Hal, who had indeed eaten the ham, paid for a new shirt. The old one was pinned to the church door as a charm, parrots facing the altar, and to this day Thornbeck brides ask for a loud child at the front.

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