Wolf head in profile with green crystals
Neo-trad · Forearm · Mixed · Photo
A grey wolf head faces right in profile, with a yellow-brown eye, a pale muzzle and stippled nose detail. Bold black outlines define the fur strands and ears, and shading moves from charcoal to light grey. Angular green, mint and pink crystal shapes fill the space behind the head and frame the composition on the left.
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A story inspired by this tattoo · fiction
The wolf came back the week the frost took the dahlias, and it came the way it always did, through the gap behind the water butt where the old fence had rotted to lace. I heard it before I saw it: a soft tearing in the bramble, then the pad of feet on wet leaves. I didn't reach for the torch. Thirty years of leaving the back gate unlatched had taught me that a visitor who wants a cabbage will take it whether I watch or not.
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It sat down in the middle of the bed where the leeks had been. Its coat was the grey of a February sky, paler at the throat, and along its flanks the fur stood in stiff, deliberate spikes, as if someone had combed it with a fork. The stones came with it. Where its paws touched the soil, green shards pushed up through the clay, angled and faceted like something cut in a jeweller's back room, flushed at their tips with a pink that didn't belong to any season I knew.
My grandfather used to say the wolves had been driven out of the valley in 1790 and that the crystals were what they had swallowed on the way out, a bargain nobody had kept. I took it for nonsense, the sort of thing you tell children to stop them pulling up seedlings. But the wolf turned its head, looked at me with an eye the colour of weak tea held up to a lamp, and waited. So I fetched the spade and the wheelbarrow, and the two of us dug out the stones one by one until the bed was clear.
At first light they were gone, all but one. It lay in the furrow, mint-green and cool as a window pane. When I looked up, the wolf was already at the hedge gap, its shape thinning against the frost. I left the gate on the latch that night. The next morning there was a single sprig of mint pressed into the dew on my step, and beside it, four wet prints, each one set down exactly where a stone had been.
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