Fine line tattoo of a world map outline in dark ink on the ankle and heel, with a woven string anklet above it.

Enlarged with AI from a smaller original

World map outline on an ankle

Fine line · Ankle · Black and grey · Photo

A dark ink outline of the continents, showing Africa, the Americas, Europe and parts of Asia, sits on the side of a foot near the ankle. The linework is thin and even, with the continents drawn as unshaded outlines on bare skin. The plain light skin and blue fabric behind keep the focus on the tattoo, and a woven string anklet sits above it.

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Take it to an artist as a reference. A good artist will make it yours rather than copy someone else's tattoo.

A story inspired by this tattoo · fiction

Edith Marr had inked coastlines for Holt and Dunning for eleven years, and she could draw Africa from memory with her eyes shut. On Saturday nights at the Pavilion the air smelt of pomade and wet wool, and she danced with whoever had the nerve to ask, which was seldom anyone she wanted. Her fingertips were always faintly blue from the nib ink, and the men who asked her usually looked at her hands first.

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Then Tom Callow, a deck steward back from Lagos with a stiff leg and a crumpled tide table in his breast pocket, asked her for the foxtrot and did not look at her hands at all. He wanted to know why the maps she drew had no colour in them. She told him the firm wanted outlines only, so the printers could tint them later, and that a continent drawn in plain line was honest about what nobody had yet seen.

He laughed, then went quiet, and said the coast he'd left at Takoradi looked nothing like the one on her desk. She asked him to describe it. He did, slowly, between turns, and she found herself redrawing it in her head line by line: the bite of a bay, a river that doubled back on itself, the place where the land simply stopped being sure of itself.

On Monday she pinned his description to her board and inked it without fill. The printers complained the page looked unfinished. Edith sent it anyway, and when the proof came back in March the empty shape of that coast sat in the margin of the atlas, with a pencilled note in the printer's hand: keep the white.

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